{"id":3775,"date":"2020-10-17T06:34:00","date_gmt":"2020-10-17T05:34:00","guid":{"rendered":"https:\/\/congovirtuel.com\/information\/?p=3775"},"modified":"2020-10-17T06:34:10","modified_gmt":"2020-10-17T05:34:10","slug":"tribune-restitution-des-oeuvres-dart-congolais-par-la-belgique-osons-le-dialogue-institutionnel","status":"publish","type":"post","link":"https:\/\/congovirtuel.com\/information\/tribune-restitution-des-oeuvres-dart-congolais-par-la-belgique-osons-le-dialogue-institutionnel\/","title":{"rendered":"Tribune: Restitution des \u0153uvres d’art congolais par la Belgique, osons le dialogue institutionnel","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"\n

En marge de la c\u00e9l\u00e9bration du centenaire de sa cr\u00e9ation, l’Eglise Kimbanguiste est entrain d’\u00e9riger, dans le Kongo-central profond, un mus\u00e9e cens\u00e9 abriter les \u0153uvres d’art africain.<\/strong><\/p>\n\n\n\n

Cette initiative combien louable a pourtant le m\u00e9rite de susciter un autre questionnement plus complexe parce qu’au carrefour des enjeux politico-diplomatiques, \u00e9conomiques, juridique et culturelle: c’est celui de la restitution d’\u0153uvres d’art africain, et pour le cas du congo, celles du mus\u00e9e belge de Tervuren, dernier mohican des mus\u00e9es coloniaux d\u2019Europe et qui disposerait de pr\u00e8s de 120 000 objets d’art d’origine congolaise<\/p>\n\n\n\n

Si en France Emmanuel macron, lors de son discours de Ouagadougou du 28 novembre 2017, a ouvert le d\u00e9bat sur la restitution d’\u0153uvres  d’art africain, du c\u00f4t\u00e9 de la Belgique rien ne semble bouger.<\/p>\n\n\n\n

Pourtant, cette question s’est invit\u00e9e, dans les relations diplomatiques belgo-congolais, depuis 1970, sous le Marechal Mobutu puis r\u00e9cemment, en 2018, par un collectif d’association et d’universitaires<\/p>\n\n\n\n

Comment expliquez d\u00e8s lors ce mutisme et cette absence d’initiatives alors que le pr\u00e9sident Felix  Tshisekedi \u00e9voquait il y a peu, \u00e0  l’occasion de l’inauguration du mus\u00e9e national du congo, la n\u00e9cessit\u00e9 \u00ab\u00a0d’un retour organis\u00e9\u00a0\u00bb du patrimoine congolais conserv\u00e9 dans des mus\u00e9es belges.<\/p>\n\n\n\n

Restitution d’\u0153uvres d’art: une \u00e9pine dans l’embellie de la coop\u00e9ration belgo-congolaise<\/strong><\/h2>\n\n\n\n

Voguant habituellement entre amour et d\u00e9samour, tensions et d\u00e9tente, la coop\u00e9ration belgo congolaise semble retrouver sous l’\u00e8re Felix Tshisekedi, \u00e0 contrecourant avec son pr\u00e9d\u00e9cesseur Joseph Kabila.<\/p>\n\n\n\n

Et si hier on pouvait arguer de l’absence de mus\u00e9es et d’infrastructures ad\u00e9quates pour justifier de la non restitution des \u0153uvres d’art, l’inauguration prochaine du mus\u00e9e du Nkamba apr\u00e8s celui du mus\u00e9e national dote d\u00e9sormais la RDC d’une capacit\u00e9 infrastructurelle certaine<\/p>\n\n\n\n

La volont\u00e9 d’un  rapprochement strat\u00e9gique qui consoliderait les int\u00e9r\u00eats strat\u00e9giques du r\u00e9gime pourrait prendre le dessus sur les int\u00e9r\u00eats d’\u00e9tat. Comment des lors concilier dialogue franc et idylles diplomatiques?  Tel semble aujourd’hui l’\u00e9quation diplomatique \u00e0 laquelle devrait se soumettre le pr\u00e9sident Fatshi, au moment o\u00f9 depuis la publication du rapport savoy-sarr, d’autres \u00e9tats africains comme le Benin ont ouvert un dialogue franc avec les anciennes puissances coloniales sur la question.<\/p>\n\n\n\n

Sortir du syndrome Van Bilsen<\/strong><\/h2>\n\n\n\n

En 1955, alors que la majeure partie des puissances coloniales s’ouvraient d\u00e9j\u00e0 \u00e0 l’id\u00e9e d’une \u00e9mancipation des colonies, la Belgique trainait le pas alors que le vent de la d\u00e9colonisation soufflait d\u00e9j\u00e0 sur le continent. La volont\u00e9 de retarder la contraction historique au moyen d’un plan contr\u00f4l\u00e9 de trente  ans, plut\u00f4t que de suivre le mouvement de l\u2019histoire conduira \u00e0 l’ind\u00e9pendance impr\u00e9par\u00e9e, violente et une rupture traumatisante.<\/p>\n\n\n\n

Et comment s’y prendra le pr\u00e9sident Felix Tshisekedi, lui qui revendique une nouvelle identit\u00e9, la Belgique \u00e9tant son deuxi\u00e8me congo?<\/p>\n\n\n\n

60 ans apr\u00e8s alors que souffle sur le continent un nouveau vent de d\u00e9colonisation culturelle, la Belgique aura-t-elle le courage de prendre le train \u00e0 nouveau le bon train de l’histoire? D\u2019\u00e9viter les r\u00e9sistances contreproductives face \u00e0 un nouveau mouvement historique  irr\u00e9versible?<\/p>\n\n\n\n

Wait and see<\/p>\n\n\n\n

Christian Ndombo Moleka<\/strong>, Politologue prospectiviste. Coordonnateur national\u00a0 de la DYPOL, la Dynamique\u00a0 des Politologues de la RD.Congo.<\/em><\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

En marge de la c\u00e9l\u00e9bration du centenaire de sa cr\u00e9ation, l’Eglise Kimbanguiste est entrain d’\u00e9riger, dans le Kongo-central profond, un mus\u00e9e cens\u00e9 abriter les \u0153uvres d’art africain. Cette initiative combien louable a pourtant le m\u00e9rite de susciter un autre questionnement plus complexe parce qu’au carrefour des enjeux politico-diplomatiques, \u00e9conomiques, juridique et culturelle: c’est celui de la restitution d’\u0153uvres d’art africain, et pour le cas du congo, celles du mus\u00e9e belge de Tervuren, dernier mohican des mus\u00e9es coloniaux d\u2019Europe et qui disposerait de pr\u00e8s de 120 000 objets d’art d’origine congolaise…<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":1,"featured_media":3776,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_crdt_document":"","footnotes":""},"categories":[639],"tags":[258,259,3109,3108,3110],"class_list":["post-3775","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tribune","tag-christian-ndombo","tag-dypol","tag-nkamba","tag-restitution-des-oeuvres-dart-congolais-par-la-belgique","tag-tervuren"],"gutentor_comment":0,"yoast_head":"\nTribune: Restitution des \u0153uvres d'art congolais par la Belgique, osons le dialogue institutionnel - Actualit\u00e9s congolaises et internationales<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/congovirtuel.com\/information\/tribune-restitution-des-oeuvres-dart-congolais-par-la-belgique-osons-le-dialogue-institutionnel\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tribune: Restitution des \u0153uvres d'art congolais par la Belgique, osons le dialogue institutionnel - Actualit\u00e9s congolaises et internationales\" \/>\n<meta property=\"og:description\" content=\"En marge de la c\u00e9l\u00e9bration du centenaire de sa cr\u00e9ation, l’Eglise Kimbanguiste est entrain d’\u00e9riger, dans le Kongo-central profond, un mus\u00e9e cens\u00e9 abriter les \u0153uvres d’art africain. 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